

#Shadow warrior game easter egg girl 1997 full
the full orchestral accompaniment - which made a 4 minute song go to almost 10 mins.Ģ.) The game version has a few lines edited out - the parts mentioned above about getting transformed by T-Energy.Fallen corporate shogun Lo Wang and his former employer turned nemesis turned sidekick Orochi Zilla embark on an improbable mission to recapture an ancient dragon they unwillingly unleashed from its eternal prison. The main difference between the album version and the radio edit version that wound up in the game is twofold.ġ.) The album version got the "Days of Future Past" treatment - I.e.

Sacred Worlds - the song on the album IS an extended version of the theme song from Sacred 2. Pretty please, with the cherry on the top. The one with Sacred Worlds as a starting song.Īin't that song kinda like Sacred 2's theme or something? Why would there be otherwise so many homages to the game? Just wondering.Īnyways, in the most polite possible way Gogo and Schot, please, tone down the dark hordes smashing for an itty bitty moment for the wiki. Oh, but I do listen to Certain Blind Guardian album almost religious every now and then. It's just that I kinda only listen to progressive metal, when Western music is in question nowadays.

Thanks for some great info Wolfie.Īnd I should get myself into listening to Dragonforce one of these days. Well, now I can stop any possible learning processes for the day. With Children" also had an episode going by the same title. The freakin' Bee Gees (yes, that's right, the "Vienna Boys Choir of disco") had a song by that title as well. It wouldn't do very well to keep the phrase in it's original form.Īn amusing side note - Metallica isn't the first to use the phrase "for whom the bell tolls" as a song title. The developers twisted the phrase around a bit at the end given bells (in this context) are funerary. "And therefore never send to know for whom the bell tolls It tolls for thee."Ī better dissertation on the phrase and it's meaning can be found here. But the origin of the phrase goes even further back to 1624 - and is credited to John Donne and his work entitled " Devotions upon Emergent Occasions" where he writes: It's an ode to Ernest Hemmingway who wrote the book "For Whom the Bell Tolls". Specifically in the Artamark/Human region - specifically in that little cemetery just north of Valeview.Īnd no, it's no an ode to Metallica. If the dark side wins, chaos reigns supreme, society crumbles to dust and we wind up with the Elves being not so much a factor as they once were - which is pretty much the state of affairs in Sacred 1.Īnd lastly. If the light campaign wins - the status quo remains the same. The thing is - the shadows MUST win Sacred 2 in order for the events of Sacred 1 to take place. But they likely realized that a.) seraphim can't play the dark side and b.) public acceptance of the game wouldn't be that great with just the dark campaign - so they worked in the light vs shadow thing.

They likely gave Hansi and company an early draft and that's what the song was based on. I think the devs probably wanted to do the Shadow campaign and the whole planning of the game started there. The second mention is part of the first quote - "my eyes are the eyes of a dead man."Īnyhow. Which is pretty much the way the Shadow Warrior gets his start in the game. He gets props twice in the song - once at 5:45 with the lyrics: This song was clearly written about a shadow warrior. The text in red was edited out of the concert in the game.Īnd btw.
